I've been living in my childhood town now for two years, and in a month or so I'll pack up and go back to California.

When a student warns me ahead of time, "Sorry this is so angry," I feel excited. Something real is about to happen.

Someone wrote to me that things were bad, really bad. Not only had he been hurt on his job, but when he went back he saw how terrible the working conditions really were, and so he quit.

On Tuesday in our weekly group writing class, Anne talked about how she’d had, for a lack of a better word, writer's block after the death of her adoptive dad.

To be both one thing and another thing at the same time inherently takes more energy that being just one thing.

I was listening to a recent double-guest episode of the Tim Ferriss Show because I like to hear what Seth Godin has to say about life.

Brad Ewell is a wonderful writer and photographer. He and I are playing a game: for a week he will send me one of his photographs every day, and I will write a corresponding blog post.

The mother woodchuck started lumbering around the yard when the dandelions bloomed. She methodically ate the flowers like a happy furry vacuum cleaner with whiskers.

I had an idea about how to show people just how easy it is for them to be wonderful writers, so I decided to play a game in my classes.

I'm trying to figure something out. Why are so many adopted people so deeply unhappy?

Imagine if we could only say what we really meant?

That is all for now.

I was thinking about all the writers I work with, and I was thinking about how each person holds a narrative inside of their body that is sacred to them.