It’s like I’m part magnet and my skin is working to pull to it what it needs to feel complete and at rest. This takes energy, and so while other people may be running errands or making lists or running a company, I’m busy being a bag of skin that has a job it can’t articulate or accomplish. This means I spend a lot of time what to others might look like spinning my wheels but to me feels like trying to be whole.

Rick wrote this in response to my post How to Love an Adopted Women. It's a wonderful look at what one adopted man, and, I'm guessing, many, many others want and need in a romantic partner. 

Obviously, I am not speaking for every adopted woman. That would be like trying to eat the ocean. But I did have fun writing this. 

Last night when I was falling asleep I realized something: my stomach didn’t hurt. It was the strangest feeling, like when your ears ring after a concert and then, suddenly, you realize that annoying buzzing has stopped. My body felt quiet. Peaceful.

I wish my parents had had Astrid on their speed dial when I was a child. I wish they had gone to her workshops for adoptive parents and I wish they had sent me to her workshops for adopted kids. I wish they had watched her DVD on how best to communicate with your adopted child.

There are so many reasons not to write. Harvey Weinstein. Food stamps. Constipation. Fear. But here is the truth, at the end of the day, you have a choice. You can pick up your pen, you can sit at your computer, and you can write.

Or you can just live your life.

It’s a win win. Living a life is a pretty wonderful thing, unless, of course, you feel you carry a story inside that you want or need to tell.

Then you better get to work. Make your space holy: honor your body, its needs. Listen to it. Live in it. Write down your life just because you can.

I had one of those realizations yesterday that left me standing by the road, stopped, not breathing, silenced by truth.

I had a teacher in graduate school, Ehud Havazelet. I can tell you now that I took my camera to the pawn shop and sold it so I could buy pot for Ehud when he asked if I had any—I can tell you because Ehud is dead. I wasn’t a pot smoker, but I was flattered he asked me. As if. As if I could comfortably inhale without coughing. Maybe I could not write as well as Ehud’s beloved Flannery O’Conner, but I sure as hell could get him some weed. It was a nice camera that I sold for a hundred bucks. It was a 35 mm that meant something to me, but it meant more to me to get my teacher some pot.

Am I a good eater? Am I a good breather? Is that the point? To survive I must eat. I must breathe. I believe the same is true for writing. I would love to write well. I would love to eat well, breathe well, but the fact of the matter is that life moves quickly and sometimes it’s not about how well you do something, but just that you do it. You do it with your heart in your mouth and you pray for beauty and clarity and understanding, but, always, always, you and your life and your writing are a work in progress. You just keep at it. It’s that you are doing it. That’s where the miracle lies. Not in the quality of the work, but in your dedication to the craft of being you.

2018 is the year of writing and community. I want to see how many people I can help get a book or something written finished so they can have the same relief I have of I did it! I wrote a book, a screenplay, a poem, a speech, a long-due break-up letter! I did it!

I would estimate that coming out of the fog has cost me about $60,000. This accounts for the amount of time I spent grieving instead of working and the amount I spent in desperate measures trying to get pain relief (shopping, acupuncture, travel, food, moving to New York for three months to write a book, etc.). I’m not sure how much Jill Bolte Taylor’s stroke cost her. She didn’t mention that.

What I got out of listening to a company vice president and to two realtors was the importance of leaning in, not in the Cheryl Sanberg way, but in the physical, I really want to hear what you are saying way.